![]() “We want to make art that confronts the world as it is and the fears of hopes of this generation through allegory.” ![]() “We want to tell fantastic stories that are very much rooted in the here and now,” said Alonso. “Bad Mother” (pictured) centers on a suburban housewife who heads off against a crime syndicate. One of the titles, “The Resistance,” deals with a pandemic that leaves behind a group of super-powered beings, while another, “Red Border,” is set against the backdrop of the U.S.-Mexican border and explores issues of xenophobia and racism. Some of the projects at AWA mirror our chaotic reality. Alonso is the former editor-in-chief of Marvel Comics, while Jemas was the company’s former vice president. ![]() Michael Straczynski, Reggie Hudlin, Garth Ennis, and Frank Cho. The company boasts some of the biggest names in comics and film - a murderer’s row of creative talent that includes J. “In moments of uncertainty, you look for people who offer honesty, transparency, and good cheer.”ĪWA released its first wave of titles on March 18. “This is a very uncertain moment in the media business,” she added. We want to be in the service of excellence.” “We don’t want to be in the service of mediocrity. “This is a creative business and you can’t succeed without having people who are incentivized to great work,” said Snider. That’s something that the comic book industry has often failed to do (just look at the long history of legal battles involving the likes of Jack Kirby and Stan Lee). “We give the most generous deals,” said Jemas. In an interview, Snider said that part of the reason that Sister wanted to invest in AWA was that the company incentivizes its creators by giving them some ownership of their labor, either by being paid to produce the work or receiving a stake in AWA, or both.
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